Jaco van Schalkwyk’s Waltz is a multi-plate deeply bitten, sugarlift aquatint etching printed onto a thin translucent paper*. The technique of sugarlift (painting with sugar) allows…
Tag: Jillian Ross
Mongezi Ncaphayi in the Workshop
As the smooth sound of Kandace Springs fill the workshop Mongezi Ncaphayi arranges cut out shapes of paper, in preparation for chine collé, and draws…
Print/s of the Month (January) – Lynda Ballen
Ballen’s Find 1 & 2 (2016) demonstrate beautifully the technique of sugarlift aquatint, chine collé and hard ground line. The larger gestural repetitive marks at…
William Kentridge | New Woodcut
David Krut Projects is please to announce the completion of the fourth large scale Woodcut That which I do not remember in the ‘Triumphs and…
Classic FM Arts Feature: Process of Printing: Intaglio and Monotype Printing
Master Printer Jillian Ross, at the David Krut Workshop, was interviewed on Classic FM Radio 102,7FM for their Classic Arts Feature. Ross answers questions about…
Deborah Bell Collaboration Continues
The American Master Printer Phil Sanders, returned for his second visit this year in September (2017), to continue working in the workshop with Jillian Ross…
Print of the Month | Deborah Bell, Breath, 2017
David Krut Projects is pleased to announce a new series of complex etchings by Deborah Bell, which have been created in collaboration with American Master…
The David Krut Workshop Discusses Art & Womanhood
Female Spotlight: The Women of the David Krut Workshop E01 Being a Women in the Art World In celebration of women’s month, the female printmakers…
Triumphs and Laments Woodcuts | Series Continues
With the completion of three large scale woodcuts Mantegna, The Flood and Lampedusa, Kentridge provided the David Krut Workshop team with the next image, and challenge,…
Talk by Jillian Ross I 22 July 11 am
Jillian Ross on The Making of Triumphs and Laments Woodcuts 22 July 2017, 11am at the David Krut Projects Gallery Master Printer Jillian Ross who…
Subtle differences | Chine collé
This technique is sometimes so subtle, to the untrained eye it could go completely unnoticed, however the effect it can have on a print can…
The Making of Triumphs and Laments Woodcuts
In early 2016 William Kentridge was at work on a monumental frieze to be installed along the banks of Rome’s Tiber River in April of…