Posts by Roxy

DKW’s Canadian intern Lacia Vog...

My passion for printmaking began in 2009. I was studying fine arts at UBC Okanagan in Kelowna, BC, Canada, and I asked my advisor if there was a course I could take that would introduce me to digital photography while allowing me to continue developing my drawing skills. He suggested an introductory silkscreen course that […]

Deborah Bell – Invocations to t...

David KruT Projects is proud to announce new editions by Deborah Bell.  The series was launched at her exhibition Invocations to the Plate at the David Krut Projects Gallery, Johannesburg. Bell’s work considers the border between mortality and immortality, matter and spirit, presence and absence, the quotidian and the mythic, the grounded and the transcended. […]

DKW Intern | Sarah Hunkin

I have come to realize that a print workshop like David Krut, is not all about the inking up and printing, it’s a huge part but definitely not the only thing that happens in the studio. I am Sarah, a 4th year BA Fine Arts student, studying at Wits University and I’m majoring in Linocut […]

Technical Demonstration – Debor...

Deborah Bell’s Invocations to the Plate technical demonstration On Saturday the 21 April 2018 the David Krut Gallery hosted a technical demonstration by the David Krut Workshop on Chine collé. Master Printer Jillian Ross along with printer Kim-Lee Loggenberg and Roxy Kaczmarek talked an excited group of artists and art lovers through the steps of printing […]

The Proof is in the Printmaking

Explaining Proofs in printmaking at the David Krut Workshop (DKW) At the David Krut Workshop (DKW) we specialize in edition printing of intaglio (see further terms in glossary), relief (linoleum and woodcut) as well as making unique works in Monotype. During a project the artist is invited to spend time in the Workshop with the […]

Print/s of the Month (April) – ...

Jaco van Schalkwyk’s Waltz is a multi-plate deeply bitten, sugarlift aquatint etching printed onto a thin translucent paper*. The technique of sugarlift (painting with sugar) allows for gestural and painterly marks to be etched into the copper plate and plates were deeply bitten to hold a large amount of ink. This print demonstrates Van Schalkwyk’s carefully […]

Mongezi Ncaphayi in the Workshop

As the smooth sound of Kandace Springs fill the workshop Mongezi Ncaphayi arranges cut out shapes of paper, in preparation for chine collé, and draws with crayon and ink working on his latest series of lyrical abstract monotypes.   Mongezi’s process is one of chance and intuition. The prints are layered and composite of lines, […]

Print/s of the Month (March) – ...

In the work Pop up Forest Hobbs drew inspiration from: a) The strategic use of makeshift “pop-up forests” in the First and Second World War. b) The pop-up book, Untitled, which was made for his solo show at DKP, Be Careful in the Working Radius (2013). Hobbs uses leaf shapes from the Newlands forest in Cape Town as […]

Print/s of the Month (January) –...

Ballen’s Find 2 (2016) demonstrates beautifully the technique of sugarlift aquatint, chine collé and hard ground line. The larger gestural repetitive marks at the bottom of the image are made using sugarlift aquatint. This allows the artist to create a tonal area that is true to the directly made mark. The length of time etched will […]

William Kentridge | New Woodcut

David Krut Projects is please to announce the completion of the fourth large scale Woodcut That which I do not remember in the ‘Triumphs and Laments Woodcuts’ series. In early 2016 William Kentridge was at work on a monumental frieze to be installed along the banks of Rome’s Tiber River in April of the same […]

Classic FM Arts Feature: Process of P...

Master Printer Jillian Ross, at the David Krut Workshop, was interviewed on Classic FM Radio 102,7FM for their Classic Arts Feature. Ross answers questions about the different processes used at the Studio.   Listen to the podcast here.

Deborah Bell Collaboration Continues

The American Master Printer Phil Sanders, returned for his second visit this year in September (2017), to continue working in the workshop with Jillian Ross and her team, in collaboration with Deborah Bell, on her new series of intaglio prints. Bell continued to work on the large scale diptych etching adding a second plate to each […]

Print/s of the Month | Maja Maljevic

Serbian born artist Maja Maljevic has had several successful solo exhibitions in South Africa and completed an important commission for the Raphael Hotel on Nelson Mandela Square in Sandton. Maljevic first collaborated with the David Krut Workshop (DKW) in 2007, and since then she has created several bodies of work with the DKW printmakers. In […]

Mikhael Subotzky in conversation with...

IN CONVERSATION WITH MIKHAEL SUBOTZKY AND PHIL SANDERS  September 30 | 3 pm at the Brewery in Arts on Main, Maboneng Limited seating available, please RSVP David Krut Projects, in partnership with Goodman Gallery, invites you to attend a conversation between Mikhael Subotzky and Phil Sanders, to be moderated by Bronwyn Law-Viljoen, in which the artist and […]

Print of the Month | Deborah Bell, Br...

David Krut Projects is pleased to announce a new series of complex etchings by Deborah Bell, which have been created in collaboration with American Master Printer Phil Sanders at the David Krut Workshop at Arts on Main in Johannesburg. A work of alchemical beauty to come out of the collaboration is Breath. The image stems […]

A Conversation with Phil Sanders

David Krut Workshop in conversation with American Master Printer Phil Sanders about the recent collaboration with South African artist Deborah Bell at the David Krut Workshop in March 2017. Read more about recently released prints:… Video and editing by Brighton Nkomo    

Tools of the trade

The Workshop is filled with strange and wonderful tools. Often tools are borrowed from other industries such as the Jewellery and Engineering. We use the deburring tool for preparing the edge of plates before printing. the curved swivel blade alows you to shear off uneven and rough edges before finally filing and polishing them smooth. […]

Print/s of the Month | Quinten E. Wil...

  “My work is about teasing out, probing and proposing intersectional relationships” – Williams The first of our new feature Print/s of the Month chosen by Archivist Noma Ngwenya for the month of August is Quinten E William’s Untitled (Black and Grey).  The work is up at the David Krut Workshop at Arts on Main, Maboneng, Johannesburg. The print […]