Anna van der Ploeg

Anna van der Ploeg (b. 1992) is a contemporary South African artist working in painting, printmaking and sculpture, primarily, though she does not limit herself to those fields. Her work explores metanarratives and searches for new metaphors to convey insights into our common assemblies, to find rhythms in the motion of social, artistic and intellectual contexts.

Anna van der Ploeg (1992) is a contemporary South African artist. Her professional practice is far-reaching and although she works primarily in painting, printmaking and sculpture, she is not limited to those fields. Anna has held several solo exhibitions, has shown in galleries locally and abroad, and has works in private collections and institutions, among which the South African National Art Bank. She has participated in artist-in-residence programs in Japan, India and France and is currently working on a video project with an artist from Berlin under the collaborative EveryMutter. Anna van der Ploeg is currently pursuing a masters degree in fine arts at KASK Royal Conservatory of Art in Belgium. Her artistry is built on a foundation of technical competence and intellectual curiosity: she is vigorous in both her making and thinking.  Anna is also an avid mountaineer and experienced rock climber, with the kind of resolve one might hope for in someone you’re tied to with a rope. On one hike in 2011, her party was swarmed by bees. Everyone was stung multiple times – except for Anna. After this she sought out a beekeeper with whom to apprentice, and began to keep bees of her own. Her research into the symbolic history of beekeeping laid the groundwork for her figurative imagery: the beekeeper becoming a recurring protagonist, the societal structure of the hive a synecdoche, and warm ochres combined with woad blue to define her preferred palette. Van der Ploeg’s tendency to borrow from literary terms is significant. She is compelled by representational imagery for the qualities it shares with literature: an ability to be didactic, to create a fiction in which to probe at the truth. As a reader and an occasional writer of poetry and short stories, she has a sharp interest in language, as intimated by her titles. For her, writing runs parallel to making, and titles precede, or prompt, the actual artwork. Here it feels relevant to note the finesse of Anna’s practice. Though the catalyst to a work is loosely conceptual, her process is labour-intensive, perceptive and specialized. Her dexterity and moxie – she makes her own clothes and generally a quick study in hand work – are not unrelated to her imagery or her mediums. Recently, carved, painted wood blocks have come out of her sustained interest in the confluence of print, painting and sculpture. In 2017, her experience as a printmaker led her to Japan, where she trained in Mokuhanga: traditional woodblock printmaking. Since then she has continued to whittle away, evolving familiar materials into a medium made up of her own idiosyncrasies. This intuitive quality – the ability to follow even a very faint trail – serves as a guide, allowing her to traverse intersections between community, storytelling, poetry, a thought or a doubt. She probes the metanarrative, and is content with a modest (or open-ended) answer.  The feeling of effort, of something beyond cognition, is to her a kind of optimism. As a figurative artist, she searches for new metaphors to convey insights about our common assemblies, to find rhythms in the motion of social, artistic and intellectual contexts. She invites her subjects into spaces or landscapes that contain an intervention which allows for a sense of the new. Some of her images hint at an impulse towards surrealism, before changing direction to something altogether singular. As an artist, her deep regard for the ability of art to lay common ground, to sidestep small talk, and to imagine things differently, has allowed her to engage sensitively, yet on her own terms, with a formative chapter in her country’s aesthetic practice. If art can provide scope for disparate knowledge systems, peoples, and ideologies to engage, then artists are cultural practitioners and conduits for the ruptures of our time. This meaning-making, this instigating of civil dialogue is an inevitable and necessary responsibility for contemporary South African  artists. Van der Ploeg’s work offers reflections with deeply felt acuteness, always emerging from somewhere just off the path. In January 2021 during her visit to Johannesburg, Van der Ploeg collaborated with the David Krut Workshop team on new editions in a short-term residency. The editions were showcased alongside paintings and carvings in her first solo exhibition with David Krut Projects entitled VISITOR. This is also showcased online on the David Krut Portal. Anna also featured on an episode of the David Krut Podcast - Anna van der Ploeg – Artistic process as a ‘dance or a fight’ – Listening time 23 minutes In December of 2022 and early 2023, Van Der Ploeg returned to the David Krut Workshop where she completed a body of work known as Omens in hot bacon contradiction. This body of work consists of a series of monotype prints in various sizes, as well as oil paintings and etchings.

Artworks

News

For the new collector! Our top picks for starting your collection.
Nov. 24, 2023

Starting an art collection is about more than just acquiring pieces—it's a unique way to enrich your living space and...

Tags: art collector, David Krut Print Workshop, Exhibition, south african art
‘Omens in hot bacon contradiction’ | New Editions by Anna van der Ploeg | PART II
Jul. 6, 2023

Continuing the story of Anna van der Ploeg's new editions (the first blog profiling The Negotiator Series can be read...

Tags: Arts on Main, Chine Collé, David Krut Workshop, etching, Exhibition, Omens in hot bacon contradiction
‘Omens in hot bacon contradiction’ | New Etchings by Anna van der Ploeg | 2023
Apr. 20, 2023

In The Negotiator series, 2021-2023, artist Anna van der Ploeg explores the concept of hidden human interactions, how particular words...

Tags: Anna van der ploeg, aquatint, Arts on Main, David Krut Print Workshop, David Krut Projects, David Krut Projects Arts on Main, David Krut Workshop, Drypoint, etching, Exhibition, Hardground, Print collaboration, Printmaking, Roxy Kaczmarek, Sarah Judge
The Painterly Print – Anna van der Ploeg in Residence
Feb. 4, 2023

The David Krut Workshop (DKW) welcomed Anna van der Ploeg back to the workshop for a residency in preparation for...

Tags: Anna van der ploeg, Arts on Main, David Krut Print Workshop, Monotype, oil based monotypes, printmaking south africa, Roxy Kaczmarek
US Printmaker in Residence | Lauren Krukowski
Jul. 12, 2022

Lauren Krukowski is a second-year Master of Fine Arts candidate at the University of Iowa in the United States, studying...

Tags: Arts on Main, David Krut Print Workshop, David Krut Projects, etching, Monotype, printmakers
A Look Back at Editions, Projects & Collaborations from 2021
Jan. 12, 2022

The year 2021 was a productive one in the workshop and the gallery. We saw editions and projects by a...

Tags: Arts on Main, David Krut Print Workshop, David Krut Projects Johannesburg, Printmaking
Podcast Playlist: Top episodes 2020 – 2021
Oct. 30, 2021

Take a listen to this playlist of the top episodes of our podcast where we have spoken to various artists...

Tags: David Krut Podcast
Artist Anna van der Ploeg at the David Krut Workshop 2021 | Making The Winds! Series
Jun. 29, 2021

This video features artist Anna van der Ploeg working on multiple plates using watercolour paints to create Watercolour Monotypes. The...

Tags: Anna van der ploeg, David Krut Workshop, Roxy Kaczmarek, The Winds!, video, visitor, watercolour monotypes
Artist Anna van der Ploeg at the David Krut Workshop 2021 | Making The Negotiators
Jun. 29, 2021

This video features artist Anna van der Ploeg working on the copper plate for her artwork The Negotiators at the...

Tags: Anna van der ploeg, david krut portal, David Krut Workshop, etching, Film, spitbite, the negotiators, video, visitor
Anna van der Ploeg at the David Krut Workshop January 2021
Jun. 10, 2021

In this video Anna van der Ploeg can be seen producing her etchings at the David Krut Workshop in Johannesburg...

Tags: DKW
David Krut Podcast: Anna van der Ploeg – Artistic process as a ‘dance or a fight’ – Listening time 23 minutes
Mar. 10, 2021

In this episode, South African contemporary artist Anna van der Ploeg chats to Britt Lawton about her artistic process, her...

Artist-in-residence | Anna van der Ploeg, January 2021
Mar. 2, 2021

The David Krut Workshop (DKW) announced the arrival of contemporary artist Anna van der Ploeg for a short term residency...

Tags: David Krut Workshop

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