Text by Melissa Waters and Kim-Lee Loggenberg Printer Kim-Lee Loggenberg and William Kentridge examining a proof of Laocoon in the DKW, 2021. The Studio Life…
After a long, mostly lazy holiday, entering the David Krut Workshop was the perfect kick start to my year. My first day was filled with…
In late 2021, long-time collaborator Maja Maljević was back in the workshop beginning new works that will be showcased over the course of 2022. The…
The making of the 'Triumphs and Laments Woodcut Series' by William Kentridge as told by one of the head carver-printers on the 5-year long project.
Nina Torr is no stranger to the David Krut Workshop (DKW) having collaborated with our team of printers to create magic on paper since 2016. She had her solo exhibition, Wayfinding,…
Vusi Beauchamp is an artist with a signature style – bright colours reminiscent of the pop art era, striking patterns and a quirky humour to…
The beloved Turbine Art Fair was the first Johannesburg-based fair to return to a physical presence in 2021, after we’ve all been having to manage the effects of the COVID-pandemic…
Photographer Lindokuhle Sobekwa was introduced to the David Krut Workshop (DKW) through renowned Johannesburg-based photographer Mikhael Subotzky, who is currently mentoring Sobekwa and whose studio…
In January 2021, Anna van der Ploeg arrived in Johannesburg for a short term residency at the David Krut Workshop. During this time, Anna and…
In this Print of the Month post, Master Printer Jillian Ross reflects on two large works by Pebofatso Mokoena - Rainbow Tunnels and An Unfamiliar…
Blogger: Sbongiseni Khulu Date: 25.11.2016 As the proofing of William Kentridge’s The Flood continues it becomes all the more apparent to us that everything is subject…
Blogger: Chad Cordeiro Over the past two weeks, master printer Jillian Ross, Sbongiseni Khulu, and myself, have begun the testing or “proofing” phase of a…