In early 2016 William Kentridge was at work on a monumental frieze to be installed along the banks of Rome’s Tiber River in April of…
A highlight in an average day for the team at David Krut Workshop (DKW) is the appearances of curious people who step through our doors…
Lampedusa is the third print in the Triumphs and Laments Woodcut Series. While the second print, The Flood, hints in a roundabout fashion at…
The Flood is the second print in the Triumphs and Laments Woodcut Series. The image of The Flood is inspired by a photograph of…
The complexity of William Kentridges’s most recent collaboration with the David Krut Workshop (DKW) the Triumphs and Laments Woodcuts series is one that cannot be…
William Kentridge’s solo exhibition, ‘O Sentimental Machine’, is on show at the Marian Goodman Gallery Paris from 15 March, now extended until 20 May 2017.…
BLOGGER: RACHEL VAN BLYDENSTEIN 23.01.2017 With two weeks into the year, it’s full steam ahead in the workshop and the printmakers have launched into a…
Installation images of Bell | Kentridge | Victor, a group exhibition currently running at David Krut Projects Cape Town, until 28 January 2016. Featured within…
Blogger: Sbongiseni Khulu Date: 25.11.2016 As the proofing of William Kentridge’s The Flood continues it becomes all the more apparent to us that everything is subject…
This print was originated as an accompaniment to Kentridge’s major exhibition, Thick Time, at Whitechapel Gallery in London in 2016. The edition is drawn from…
This print was pulled from a plate that Kentridge was using to test various etching techniques. The vase of flowers in the right hand side…
12.09.16 Blogger: Jessie Cohen From the moment the FNB Joburg Art Fair (JAF) kicked off, we had a fabulous range of responses to the prints, paintings and photographs…