“The print marked Act IV, Scene I from the Ubu suite provides the compositional motif that Kentridge expounds upon in the large Sleepers, a series of…
In 1996, David Krut discussed with Kentridge the making of a CD-ROM about the scope of his work, which could also contain a catalogue raisonné…
In 1996, David Krut discussed with Kentridge the making of a CD-ROM about the scope of his work, which could also contain a catalogue raisonné…
In 1996, David Krut discussed with Kentridge the making of a CD-ROM about the scope of his work, which could also contain a catalogue raisonné…
In May 1992 David Krut, who was based in London at the time, visited Johannesburg and he and William Kentridge met casually at the opening…
In May 1992 David Krut, who was based in London at the time, visited Johannesburg and he and William Kentridge met casually at the opening…
“As Erik Denker has articulated, what makes Kentridge’s prints unique is that “great variety occurs in what would normally be uniform editions. In a medium…
“As Erik Denker has articulated, what makes Kentridge’s prints unique is that “great variety occurs in what would normally be uniform editions. In a medium…
The origination of the plate for Casspirs Full of Love dates back to 1989, and represents Kentridge’s first foray into making prints on a large…