Sleeper 1

“The print marked Act IV, Scene I from the Ubu suite provides the compositional motif that Kentridge expounds upon in the large Sleepers, a series of…

HMV Untitled (Artist Standing)

In 1996, David Krut discussed with Kentridge the making of a CD-ROM about the scope of his work, which could also contain a catalogue raisonné…

HMV Untitled (Artist Bending)

In 1996, David Krut discussed with Kentridge the making of a CD-ROM about the scope of his work, which could also contain a catalogue raisonné…

HMV Set Untitled ( Artist Sitting)

In 1996, David Krut discussed with Kentridge the making of a CD-ROM about the scope of his work, which could also contain a catalogue raisonné…

General

In May 1992 David Krut, who was based in London at the time, visited Johannesburg and he and William Kentridge met casually at the opening…

General (Black and White)

In May 1992 David Krut, who was based in London at the time, visited Johannesburg and he and William Kentridge met casually at the opening…

Blue Head

“As Erik Denker has articulated, what makes Kentridge’s prints unique is that “great variety occurs in what would normally be uniform editions. In a medium…

Head

“As Erik Denker has articulated, what makes Kentridge’s prints unique is that “great variety occurs in what would normally be uniform editions. In a medium…

Casspirs Full of Love

The origination of the plate for Casspirs Full of Love dates back to 1989, and represents Kentridge’s first foray into making prints on a large…

Subscribe to our mailing list

* indicates required

/( mm / dd )

Intuit Mailchimp