Walking into the David Krut Workshop for the first time, I was immediately struck by the atmosphere of curiosity and collaboration. The workshop is a space where experimentation is encouraged and where conversations between artists, printers and materials become just as important as the finished works themselves. As a sculpture student whose practice centers on material exploration, memory and process, this experience offered me a new way of thinking about image-making and artistic collaboration.
Coming from a sculptural background, I have always been interested in how materials carry meaning. Whether I am working with clay, cement or found objects, I often think about how a material can hold traces of memory and lived experience. At DKW, I was introduced to printmaking as another language through which these ideas could be explored. One of the most rewarding aspects of my time in the workshop was witnessing the relationship between artist and printer. Printmaking is often described as collaborative but seeing that collaboration unfold in real time was inspiring. Every decision, from selecting paper, plate and adjusting inks to revisiting compositions, it all becomes a shared process of problem solving and discovery. It reminded me that making art does not always happen in isolation; dialogue can become part of the creative process. From sharing my ideas with the printer at DKW, to visiting William Kentridge’s studio and experiencing the artist process, to having conversations with ceramist Kim Suchs. This dialogue is what has inspired my ideas towards my own project.
Beyond learning new technical approaches, the experience encouraged me to reflect on my own artistic practice. I found myself considering how printmaking could intersect with sculpture, photography and installation. The layering of imagery, texture and surface resonated with my ongoing interest of memory, archives and material translation. It opened up possibilities for thinking about prints not only two-dimensional works but as objects that can exist within immersive installations and sculptural environments.
What stood out the most, was the generosity of everyone in the workshop as well as the gallery. Conversations with the printers and the wider David Krut team revealed the wealth of knowledge that exists within collaborative studio and gallery spaces. Every question was welcomed, every process carefully explained, and every experiment treated as an opportunity to learn. Their willingness to share their expertise created an environment where curiosity could thrive.
Leaving the workshop, I carried with me more than just an introduction to printmaking techniques. I left with a deeper appreciation for collaboration, patience and the importance of allowing materials to guide creative thinking. The experience has broadened my understanding of what printmaking can be and has inspired me to continue exploring how it might inform my own multidisciplinary practice.
I am incredibly grateful to the David Krut Workshop team (Roxy, Kim-Lee, Sbongiseni, Jesse and Lungile) and the David Krut Gallery team (David, Alison and Brilliant) for welcoming into their space and for sharing their knowledge so generously. It has been a valuable experience that will undoubtedly continue to influence the way I approach making, experimentation and collaboration in my own work.
