Aida Muluneh: Reframing the Art of Ethiopia, the African Continent, and the African Diaspora

The following is a statement made by Aida Muluneh about her participation in the group exhibition, The Divine Comedy, Contemporary African Artists (2014) hosted and curated by the Smithsonian National Museum of African Art which showcased her chromogenic colour prints titled The 99 Series (2013): Inferno is made of history, not only of a country […]

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