“The inspiration was from the everyday experiences of walking in Joburg from home to the studio. This iconic city allows you the decency to walk…
Year: 2021
Eh Uyamyeka Boy? II
“The inspiration was from the everyday experiences of walking in Joburg from home to the studio. This iconic city allows you the decency to walk…
Eh Uyamyeka Boy?
“The inspiration was from the everyday experiences of walking in Joburg from home to the studio. This iconic city allows you the decency to walk…
Holding Water
The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…
Changing Hands
The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…
Holding on | Letting go
The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…
In Touch
The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…
To Hold
The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…
absolutely organic
“I regard marks not as mere constituents which make up an illusion of a subject, but as subjects in themselves, taking part in an improvised…
Image that kept coming
“I regard marks not as mere constituents which make up an illusion of a subject, but as subjects in themselves, taking part in an improvised…
The Gate
“I regard marks not as mere constituents which make up an illusion of a subject, but as subjects in themselves, taking part in an improvised…
Copper Fronds
“I regard marks not as mere constituents which make up an illusion of a subject, but as subjects in themselves, taking part in an improvised…