Eh Uyamyeka Boy? II

“The inspiration was from the everyday experiences of walking in Joburg from home to the studio. This iconic city allows you the decency to walk…

Eh Uyamyeka Boy?

“The inspiration was from the everyday experiences of walking in Joburg from home to the studio. This iconic city allows you the decency to walk…

Holding Water

The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…

Changing Hands

The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…

Holding on | Letting go

The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…

In Touch

The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…

To Hold

The seven monotypes have retained ideas and imagery previously explored in Khoosal’s work, now predominantly set in a range of blues which makes reference to her…

absolutely organic

“I regard marks not as mere constituents which make up an illusion of a subject, but as subjects in themselves, taking part in an improvised…

Image that kept coming

“I regard marks not as mere constituents which make up an illusion of a subject, but as subjects in themselves, taking part in an improvised…

The Gate

“I regard marks not as mere constituents which make up an illusion of a subject, but as subjects in themselves, taking part in an improvised…

Copper Fronds

“I regard marks not as mere constituents which make up an illusion of a subject, but as subjects in themselves, taking part in an improvised…

Miss Havisham I (A.N.S.)

“The first time I saw duchess satin was in the totally pink interior of Fabric World in Tommy Joubert Plaza 2 in George, it felt…

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