Leftover was part of Nina Torr’s Masters Exhibition Wayfinding that was exhibited at David Krut Projects in February 2020.
Nina Torr’s work invites the viewer to take up the mantle of explorer in her imagined worlds. For Torr, making is a way to uncover or reveal knowledge, rather than the product of it. Torr’s world shows itself to her through what she describes as ‘pangs’ and ‘clicks’, results of attunement to intuitive, rather than explicit understanding, or the ability to explain or talk about something. Although she may not know in advance what her work means, she nonetheless knows indirectly that it is meaningful, and sets about finding her way by following these hunches. In this way, Torr is the facilitator of the work, which realises itself into being. The process of making is not dissimilar to a creation myth, an illustration of a symbolic narrative.
Peculiar, empty landscapes with waves washing up on the deserted shores, clouds suspended upside down, land masses rising up out of the water or mountains rained upon with meteoric showers. Figures float, like fragments of a dream – headless, or smiling, or grimacing, creatures that dance to the tune of their own phenomenology. Fragments of the sun, fragments of the moon, shining down a domain that imagines itself into being.