WAITING for the SYBIL is a limited edition, collectible artist book. The images and phrases reference projections that appear in the opera, sometimes in sync…
In The Phillip’s Room, Kentridge has placed a still life in the foreground with a charcoal drawing, made for City Deep, of the Phillip’s Room in…
In this film, William Kentridge's photogravure titled 'The Philip's Room' is being wiped and printed by Kim-Lee Loggenberg and Sbongiseni Khulu at the David Krut…
Claire Gavonsky and Rose Shakinovsky are fellow artists collaborating under the name Rosenclaire. They are based in Italy, where they have established an international artist’s…
“I had done a series of extended interviews with the art historian Angela Breidbach for a book called Thinking Aloud, which covered a range…
“I had done a series of extended interviews with the art historian Angela Breidbach for a book called Thinking Aloud, which covered a range…
“I had done a series of extended interviews with the art historian Angela Breidbach for a book called Thinking Aloud, which covered a range…
Triumphs and Laments Woodcuts In 2016, and for some years prior, William Kentridge was at work on a monumental frieze, called Triumphs and Laments: A Project…
Written by Sarah Judge Think about a chocolate cake! Doesn’t that sound delicious? If I wanted to eat a home-baked cake it wouldn’t just appear, right? Maybe if I had super powers…but I don’t. The order of events:Have…
In this David Krut Inside Story Jillian Ross provides insight into the making of: "The Nose” suite of thirty etchings by William Kentridge.
The David Krut Workshop Print of the month for March 2020 at Arts on Main is William Kentridge's | Woodcuts 2019 | God's Opinion is…
William Kentridge talks about the making of 'That which I do not remember' in collaboration with Master Printer Jillian Ross and her associates Sbongiseni Khulu…