Q&A with St.John Fuller: thought processes, method, and new work titled, 13

  DKP: Your art practice and the use of the Camera Obscura as a device is concerned  with the notion of time, is that right?   SJ: Partially, yes – witnessed, recorded and then finally witnessed repeatedly. In terms of the portraits it is about how we look at things.   DKP: So, the portraits explore perception […]

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