Posts tagged Collaborative printmaking

Deborah Bell – Sketchbook ...

Sketchbook I -VI, 2017-2018, Drypoint (and spitbite aquatint) on Gampi and Hahnemühle 300 gsm, Edition: 30, Paper size: 22,4 x 30,4 cm Deborah Bell’s initial ideas are often conceived from her visual notebooks, where the spontaneity of her quick, private drawings seem to capture the figures in a gestural moment. In the making of her plates, […]

Nina Torr – New etching se...

Nina Torr has been working on a series of new etchings. The copper plates were etched with elegantly detailed hardground etched lines. Each print is then individually hand painted with a range of varied colours and marks. This fun way of approaching a traditional technique has allowed Torr to experiment with each individual image coming […]

Kids Workshop – Make your ...

On Saturday the 22nd of September 2018, we hosted a ‘Make your own Maja’ children’s print workshop with Maja Maljević and the printers from our David Krut Workshop (DKW) at our Parkwood gallery. The open gallery turned into a studio for the day and provided a lively, engaging and welcoming space for the children to […]

Rotation of the flywheel –...

The David Krut Workshop is a collaborative printmaking studio where selected artists work with master printer Jillian Ross and her team of printers to make fine art prints. The David Krut Projects Cape Town Team have their annul visit to Johannesburg in July to join in and learn more from the David Krut Workshop’s activities. […]

Maja Maljević – Polytekton...

Maljević has been making prints with the David Krut Workshop (DKW) since 2007. Over the years she has made etchings, monotypes, woodcuts and linocuts. In anticipation for her solo show Polytekton, 2018 at the David Krut Projects Gallery, Johannesburg, Maljević collaborated with Master Printer Jillian Ross and her team, at the David Krut Workshop, on a series […]

Print of the Month (May 2018) Ma...

This month’s print of the month was chosen by our current intern Sarah Hunkin, a student at the Wits University. Facade is part of a body of paintings and etchings titled Ninth Floor that continue Wafer’s interest in structural marginality and exclusion in contemporary South Africa. Following her previous inquiry into the Marikana massacre, Wafer’s research on […]

Technical Demonstration – ...

Deborah Bell’s Invocations to the Plate technical demonstration On Saturday the 21 April 2018 the David Krut Gallery hosted a technical demonstration by the David Krut Workshop on Chine collé. Master Printer Jillian Ross along with printer Kim-Lee Loggenberg and Roxy Kaczmarek talked an excited group of artists and art lovers through the steps of printing […]

Print/s of the Month (April) ...

Jaco van Schalkwyk’s Waltz is a multi-plate deeply bitten, sugarlift aquatint etching printed onto a thin translucent paper*. The technique of sugarlift (painting with sugar) allows for gestural and painterly marks to be etched into the copper plate and plates were deeply bitten to hold a large amount of ink. This print demonstrates Van Schalkwyk’s carefully […]

Print/s of the Month (March) ...

In the work Pop up Forest Hobbs drew inspiration from: a) The strategic use of makeshift “pop-up forests” in the First and Second World War. b) The pop-up book, Untitled, which was made for his solo show at DKP, Be Careful in the Working Radius (2013). Hobbs uses leaf shapes from the Newlands forest in Cape Town as […]

Print/s of the Month (January) &...

Ballen’s Find 2 (2016) demonstrates beautifully the technique of sugarlift aquatint, chine collé and hard ground line. The larger gestural repetitive marks at the bottom of the image are made using sugarlift aquatint. This allows the artist to create a tonal area that is true to the directly made mark. The length of time etched will […]

Artist Series E07 | a Survey of ...

Matthew Hindley popped by David Krut projects in Cape Town to update us on his latest ventures in conjunction with his upcoming exhibition at David Krut Projects in Parkwood, Johannesburg. Have a listen to find out his experience of transitioning from painting to printmaking and what’s in store for Hindley in 2018! Follow Matthew Hindley […]

William Kentridge | New Woodcut

David Krut Projects is please to announce the completion of the fourth large scale Woodcut That which I do not remember in the ‘Triumphs and Laments Woodcuts’ series. In early 2016 William Kentridge was at work on a monumental frieze to be installed along the banks of Rome’s Tiber River in April of the same […]

Classic FM Arts Feature: Process...

Master Printer Jillian Ross, at the David Krut Workshop, was interviewed on Classic FM Radio 102,7FM for their Classic Arts Feature. Ross answers questions about the different processes used at the Studio.   Listen to the podcast here.

Mikhael Subotzky in conversation...

IN CONVERSATION WITH MIKHAEL SUBOTZKY AND PHIL SANDERS  September 30 | 3 pm at the Brewery in Arts on Main, Maboneng Limited seating available, please RSVP David Krut Projects, in partnership with Goodman Gallery, invites you to attend a conversation between Mikhael Subotzky and Phil Sanders, to be moderated by Bronwyn Law-Viljoen, in which the artist and […]

Tools of the trade

The Workshop is filled with strange and wonderful tools. Often tools are borrowed from other industries such as the Jewellery and Engineering. We use the deburring tool for preparing the edge of plates before printing. the curved swivel blade alows you to shear off uneven and rough edges before finally filing and polishing them smooth. […]

Triumphs and Laments Woodcuts | ...

The complexity of William Kentridges’s most recent collaboration with the David Krut Workshop (DKW) the Triumphs and Laments Woodcuts series is one that cannot be overlooked. Each print is made from multiple blocks of wood, prepared from multiple woodgrains, and printed on multiple sheets of paper that all fit together like a puzzle. Some sheets […]

Painterly Printmaking using Spit...

American Master Printer Phil Sanders visited the David Krut Workshop (DKW) in March 2017 to work with Master Printer Jillian Ross and her team, in collaboration with with Deborah Bell, on a new series of intaglio prints. This collaboration saw Bell exploring the spitbite technique further. “Spitbite aquatint involves painting strong acid directly onto the aquatint ground of […]

New York Studio Visit | CHUCK WE...

February 7, 2015 – Last weekend, Miranda and Meghan of David Krut Projects-NY visited Chuck Webster’s Brooklyn-based studio in preparation for his upcoming show at David Krut Projects – taking place November / December 2015. Webster walked us through his newest drawings, paintings, and prints — a sampling of those works can be found in […]