Nina Torr – Take Care

Print/s of the Month (April) ...

Jaco van Schalkwyk’s Waltz is a multi-plate deeply bitten, sugarlift aquatint etching printed onto a thin translucent paper*. The technique of sugarlift (painting with sugar) allows for gestural and painterly marks to be etched into the copper plate and plates were deeply bitten to hold a large amount of ink. This print demonstrates Van Schalkwyk’s carefully […]

Mantegna

The Flood

Kentridge’s large woodcuts...

Kentridge’s large woodcuts at Marian Goodman Gallery Paris

William Kentridge’s solo exhibition, ‘O Sentimental Machine’, is on show at the Marian Goodman Gallery Paris from 15 March, now extended until 20 May 2017. The show features three large woodcuts, standing beautifully in the new Librairie Marian Goodman, from the Triumphs and Laments series, that were created in collaboration with the David Krut Workshop […]

READY!!!!! Jacob van Schalkwyk’s...

READY!!!!! Jacob van Schalkwyk’s etchings: “Waltz” and “W”

For many years, Van Schalkwyk has used Josef Albers’ colour system COLOR-AID to arrive at considered and very specific colour combinations for his artworks. Using lithography ink to make these drawings, he also carefully considers each sheet of paper he uses to produce such drawings. Waltz is a multi-plate deeply bitten, sugarlift aquatint etching printed onto a […]

Robyn Penn: The Map is Not the T...

Blogger: Rachel van Blydenstein Printer Kim-Lee Loggenberg is immersed in the completion of Robyn Penn’s latest edition, The Map is Not the Territory I and II. These prints are part of a suite of three clouds that make up Penn’s most recent collaboration with DKW, ‘The Cloud of Unknowing‘. Penn, who recently opened an exhibition at […]

Bell | Kentridge | Victor –...

Installation images of Bell | Kentridge | Victor, a group exhibition currently running at David Krut Projects Cape Town, until 28 January 2016. Featured within this exhibition is the interactive artwork titled, “Rainbow Nation” by St. John Fuller.